Antique Doll on a Stand

Yesterday while poking around a vintage shop on Queen Street, I came across this antique doll on a stand. Unfortunately, the owner of the store could not tell me anything about its history. The doll is about 2 feet tall and has a beautifully painted face and articulated joints in the arms.

Has anyone ever seen something like this? I'd love to research the doll but don't even know where to begin. Help!

Lace in Contemporary Fashion

Photos from Prada shop in London, England, July 2008

This is the last of my posts about lace. Although I intended to write about lace lappets (a relic of fashionable formal headdresses) I found myself yawing at the thought. If I'm bored by the topic, I'm fairly certain you, my loyal readers, will be too.

While I appreciate intricate workmanship that goes into making lace, especially by hand, I don't care to wear it myself. I agree with Monsieur Dior that lace "easily looks old fashioned". I prefer simple elegant lines in my clothing.

Last summer, when the fall 2008 lines were launched, I was quite surprised to see that Muicia Prada had used lace extensively in her collection. To me, the look was dowdy and old-fashioned. I think only gazelle like creatures with long legs and slim waists could carry off the look.

What do you think? Do any of you like to wear lace?

Book Review: Fashion Show, Paris Style

This book is not what it appears. While it may appear from the cover to be a superficial look at the world of fashion, it contains a wealth of information on the history of French fashion, beginning in the 17th century and up to the present day. Fashion Show: Paris Style was the exhibition catalogue from a 2006 show at the Museum of Fine Arts in Boston.

The essay "La Mode: Paris and the Development of the French Fashion Industry" by Pamela A. Parmal, curator and head of the Department of Textile and Fashion Arts at the Museum of Fine Arts in Boston, comprises one third of the book. Well written and beautifully illustrated with engravings, paintings and fashion plates, this is the best part of the book. Parmal writes with precision and elegance as she explores the rich history of the development of Paris as a fashion capital. I have read this essay numerous times and with each rereading I come away with a deeper level of understanding as to why Paris remains the focus of fashion to this day.

"To be in Paris without seeing fashion is to have one's eyes closed."
Marquis de Caraccioli, 1772 (page 13)

The second part of the book is a bridge between fashion history and contemporary fashion designers and consists of an 18-page essay on "Haute Couture and Ready-to-Wear: A Recent History" by Didier Grumbach.

The balance of the book is comprised of profiles of 10 fashion houses and designers, including: Azzedine Alaia, Hussein Chalayan, Chanel, Christian Dior, Maison Martin Margiela, Rochas, Valentino. Viktor & Rolf and Yohji Yamamoto. The profiles are accompanied by lavish colour photographs.

This book is an absolute must-read for all serious students of fashion!!

Title: Fashion Show, Paris Style
(Exhibition Catalogue, Museum of Fine Arts, Boston)
Essays by Pamela A. Parmal and Didier Grumbach
Designer Profiles by Susan Ward and Lauren D. Whitley
Published by: MFA Publications, Boston 2006
Category: Non-fiction, fashion
Number of Pages: 221
Price: $65