Last Chance to View this Pair of Italian Chopines from 1590-1600

Photo credit: Photograph © Fototeca dei Musei Civici Fiorentini

There are literally only a few days left to see these Italian chopines from 1590-1600 at the Bata Shoe Museum exhibition On a Pedestal. Having been conserved especially for this exhibition, they will be returned to  Museo Stefano Bardini, Florence, Italy next week. The last day to see these particular shoes is May 5, 2010.  They are so fragile that they will NEVER again be displayed. Don't miss the opportunity to see this extraordinary example of tall chopines which literally put women on pedestals!


Bata Shoe Museum
327 Bloor Street West
416-979-7799
Friday - Saturday 10 am - 5 pm
Sunday 12 - 5 pm
Monday  - Wednesday 10 am - 5 pm

Opera Atelier and the Marriage of Figaro

Photo: Bruce Zinger / Artists: Phillip Addis, Wallis Giunta, Carla Huhtanen, Patrick Jang, Peggy Kriha Dye, Curtis Sullivan and Cavell Wood

If you have an affinity for Marie Antoinette or the 17th and 18th centuries, you will take great delight in seeing a performance of Opera Atelier. This Toronto-based company brings the 17th and 18th centuries to life on the stage by producing opera, ballet and drama from those centuries. Drawing on the aesthetics of that time and reinterpreting the experience for modern audiences, the company also makes the period more accessible to audiences by performing their operas in English.

Photo: Bruce Zinger / Artists: Phillip Addis, Carla Huhtanen and Patrick Jang
The Opera Atelier is currently performing Mozart's The Marriage of Figaro at the restored Elgin Theatre in Toronto. This enchanting comedy was first performed at the private home of Joseph Hyacinthe Vaudreuil prior to its official debut in Paris at the Comedie Francaise in 1784. Although I've seen this opera several times before, it wasn't until I saw the Opera Atelier's version that I appreciated the subtle nuances of the repartee between the main characters. Although some opera fans might disparage an English interpretation, I loved it, especially as it sparked new ideas for my Revolutionary Fashion series of textile works.  Plus there is much eye candy on display, including exquisite sets by one of my favourite Toronto artists Gerard Gauci, divine period costumes from the talented Martha Mann, and some very handsome actors wearing snug velvet breeches!

Photo: Bruce Zinger / Artists: Phillip Addis  and Peggy Kriha Dye
There are only four performances left on the schedule this week: April 27, April 28, April 30 and May 1st. If you don't live in Toronto, watch for Opera Atelier on tour as the company has been to New York, Houston, Stuttgart, Bremen, London, Singapore, Seoul, Tokyo and Chateau de Versailles in France.

Opera Atelier
416-703-3767 ext. 22

Hidden Treasures

How many of us have a special dress or gown hanging in the back of our closet? For me, those dresses or pieces embody a story of a significant event in my life. And perhaps the material or label makes it impossible to put that item in the bin or donate it to a thrift shop. I'm sure many of you can relate. At last, there is a home for such treasures.

The Seneca Fashion Resource Centre is a research facility that accepts donations of dresses, suits, corsets, accessories - basically everything from pantsuits to petticoats. Built solely through donations, the collection now houses approximately 10,000 items which cover the period 1840 to the present. Canadian labels include Vivienne Poy (a Seneca alumnae), Wayne Clark, Lida Baday, Arnold Scassi. International labels include Dior, Chanel, Calvin Klein, Pucci, Schiaparelli, Valentino and many others.


The mandate of the Centre is "to collect, preserve and study what Canadians have worn". But this is not a museum where one can only look but not touch. While respecting the need for conservation, the collection is actively used by students and faculty to learn about costume history, textiles, embellishments, techniques of design and construction, and techniques of display.

I could have happily spent hours and hours among the racks finding hidden treasures. As I marveled at the many lovely gowns, I wondered about the many stories and memories encapsulated in those beautiful garments. Perhaps this is the beginning of a new project for me....


The Centre is run by Professor Dale Peers who acts as the coordinator for donations. It is clear that Dale loves her job and takes pride in being able to let her students see garments from a particular time period when studying costume history (which is far superior to seeing it on a screen). She even was kind enough to pull out a collapsible bustle for me to examine (as I continue in my attempt to create the panniers for that 18th century dress sculpture.)


The collection is comprehensive but is always looking for more donations. In particular, their wish list includes:
A pair of short Go Go boots
Items from 1990 to present day
Work by Canadian designers
Anything by style icons such as Poiret, Fortuny, Vionnet, Schiaparelli and Chanel

If you have an item that you are willing to donate, please contact Dale Peers at 416-491-5050 ext 2578 or dale.peers@senecac.on.ca.  Not only will your donation help students and researchers, you will make room in your closet for some beautiful new frocks (and memories)!


Seneca College Fashion Resource Centre
1750 Finch Avenue
Toronto, Ontario
By Appointment Only
dale.peers@senecac.on.ca     416-491-5050 ext 2578
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