Fashion and Photography

Fancy Dress Apron

Many of us can remember our mothers wearing aprons. Back in the days when laundry was even more of a pain than it is today, aprons were a practical solution to protecting one's clothing during cooking and other household chores. And there was a time when fancy dress aprons were all the rage. Sometimes made out of silk or organza and often decorated with intricate embroidery or applique, they were worn only for special occasions like dinner parties.

After reading my recent post on Apronology, my friend Louise remembered an apron that her mother wore. Louise, who is both a talented artist and writes the blog My Ipod is my Sketchbook, photographed the dress apron that her mother wore for Friday night Shabbat dinners. Dating back to the 1960s, it is made of what looks like delicate organza and overlaid with colourful applique.

For many people aprons embody memories of happy times with their mother or grandmother. They represent love, security and simpler times. Are there any other aprons out there? If so, please send me your photos and your memories.

Exhibition Review: The Enchanted Palace

Photo credit: HRP newsteam.co.uk

The princess will fall into

the arms of the beloved. She will be

happy, for a while.

On her wedding day

there will be angels

passing, gods pronouncing

sages advising, and

crowds strewing the

roads with roses

red as desire.

But the shadowy form

has always been behind

her.

She was running towards love

and dancing with death

all her life.

by Mercedes Kemp

This excerpt of a poem called Charlotte at the Kings Staircase by Mercedes Kemp encapsulates the exhibition The Enchanted Palace now open at Kensington Palace in London. Not your run of the mill installation, this collaboration between fashion designers and artists including Vivienne Westwood, Stephen Jones, Boudicca, Echo Morgan, Aminaica Wilmont and William Tempest remakes Kensington Palace into a contemporary art gallery.

Focused on the lives of seven royal princesses, the exhibition challenges the viewer to actively engage in the installations. The thematic rooms incorporate site-specific art, fashion and poetry to give the viewer clues as to which princess the room is paying tribute to, but it is not until the end of the exhibition that the answers are revealed in light boxes which cleverly turn into mirrors. Undoubtedly frustrating for many of the visitors that were expecting to see more run-of-the-mill, fusty royal displays, I laughed with delight at the whimsy and incredible creativity of the artists and designers who participated in this project. In fact, I felt somewhat jealous that I hadn't been part of it!

Seven former residents of Kensington Palace served as the inspiration for the exhibition and included:

Queen Mary II 1662-1694

Queen Anne 1665-1714

Queen Caroline 1683-1737

Princess Charlotte 1796-1817

Queen Victoria 1819-1901

Princess Margaret 1930-2002

Princess Diana 1961-1997

The three installations that were in my mind the most enchanting included:

In the Cupola room, there were three mannequin's torsos suspended from the ceiling with sculptural elements that looked like steel crinoline hoops and metal time pieces. I'd hazard a guess that some people walked into this room and didn't even look up to the ceiling to see these extraordinary works by Boudica and William Tempest.

Photo by Richard Lea-Hair HRP newsteam.co.uk

A Dress for a Rebellious Princess was a magnificent Vivienne Westwood gown suspended on a back staircase to look like a headless princess running down the stairs. The saucy button on the bodice reads "I AM EXPENSIV" (sic).

Dress of the World by illustrator and set designer Echo Morgan was a washi-paper dress sculpture which takes the shape of Kensington Palace's infamous 17th century Rockingham mantua. This dress sculpture was covered in tiny drawings and set on top of a wire frame with baby carriage wheels. This room also included a curiosity cabinet filled with whimsical artwork.

Photo by Richard Lea-Hair HRP newsteam.co.uk

In the realm of the royal Kensington Palace, these engaging artworks take on a deeper significance alluding to the nightmarish and often troubled fate that befell most of these princesses.

She is dressed each morning

she is fiercely corseted,

encased in dresses that

feel like coffins.

by Mercedes Kemp

This exhibition created in association with WILDWORKS was a mash up of fashion, site-specific installation art, history, poetry and performance. It really and truly was enchanting. Kensington Palace's show The Enchanted Palace continues until January 2012.

Kensington Palace

Hyde Park

London, England

Note: All images were provided by HRP newsteam.co.uk and are under copyright.

Exhibition Review: Grace Kelly, Style Icon

Grace Kelly

Photograph by Erwin Blumenfeld New York, 1955.

The thing that made her stand out is what we call 'style'.
McCall's magazine 1955

Classic beauty, cool elegance, and impeccable style are the words that come to mind when I think of Grace Kelly. And even though she died nearly thirty years ago, I seem to have lots of company in my admiration for this legendary actress and princess. On a daily basis, there are crowds of people attending the Grace Kelly: Style Icon exhibition at the Victoria and Albert Museum in London and the shows are selling out.

On display are an exquisite array of clothing and accessories that trace the transformation of the actress into a princess. The exhibition includes costumes from High Society and other movies, dresses from her trousseau, the ballerina style wedding suit worn for her civil ceremony to Prince Ranier, and an selection of haute couture gowns worn in her role as the Princess of Monaco including several fancy dress ballgowns. Several of the exhibition cases are backed with mirrors making the backs of the garments visible and the show is enhanced by photographs and film clips. Nevertheless, I heard a few grumbles in the crowd from people who were disappointed that the gown worn for the formal wedding ceremony was not on display (apparently because of its fragile condition).

Installation Shot copyright of V&A Images

Having studied the press materials and the book Grace Kelly Style in advance of the show, I had some idea of what to expect. But seeing a photo of a dress and seeing it in person do not equate! With a few exceptions, all the dresses have a simplicity of line and understated embellishments which create a harmony and elegance of form. My favourite pieces included:
* a floral silk dress made from a McCall's pattern that she wore on her first meeting with Prince Ranier in 1955 (shown in the first installation shot above),
* a stunning purple evening gown in silk by Hubert de Givenchy from 1960 (seen in the second installation shot above),
* the silk organza dress in pale blue designed by Helen Rose for the movie High Society.

My overall impression was that Grace Kelly embodied elegance, both in her clothing choices and in her life.

Grace Kelly and Prince Rainier of Monaco, 1956

If you have the opportunity to visit this exhibition before it closes on September 26, 2010, be sure to buy your tickets in advance to avoid long line ups and disappointment. Also worth considering are the lectures and workshops listed in the events calendar.

Victoria and Albert Museum
South Kensington London SW
+44 (0)20 7942 2000
www.vam.ac.uk/gracekelly

Note: All photos in this post were provided by the Victoria and Albert Museum and are subject to copyright.